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| The Satanic Verses English | 
| Amazon.com
No book in modern times has matched the uproar sparked by Salman Rushdie's The Satanic Verses, which earned its author a death sentence. Furor aside, it is a marvelously erudite study of good and evil, a feast of language served up by a writer at the height of his powers, and a rollicking comic fable. The book begins with two Indians, Gibreel Farishta ("for fifteen years the biggest star in the history of the Indian movies") and Saladin Chamcha, a Bombay expatriate returning from his first visit to his homeland in 15 years, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams and revelations. Rushdie's powers of invention are astonishing in this Whitbread Prize winner
From Publishers Weekly
Banned in India before publication, this immense novel by Booker Prize-winner Rushdie ( Midnight's Children ) pits Good against Evil in a whimsical and fantastic tale. Two actors from India, "prancing" Gibreel Farishta and "buttony, pursed" Saladin Chamcha, are flying across the English Channel when the first of many implausible events occurs: the jet explodes. As the two men plummet to the earth, "like titbits of tobacco from a broken old cigar," they argue, sing and are transformed. When they are found on an English beach, the only survivors of the blast, Gibreel has sprouted a halo while Saladin has developed hooves, hairy legs and the beginnings of what seem like horns. What follows is a series of allegorical tales that challenges assumptions about both human and divine nature. Rushdie's fanciful language is as concentrated and overwhelming as a paisley pattern. Angels are demonic and demons are angelic as we are propelled through one illuminating episode after another. The narrative is somewhat burdened by self-consciousness that borders on preciosity, but for Rushdie fans this is a splendid feast.
From Library Journal
When a terrorist's bomb destroys a jumbo jet high above the English Channel, two passengers fall safely to earth: Gibreel, an Indian movie actor, and Saladin, star of the controversial British television program, The Alien Show . The near-death experience changes them into living symbols of good and evil. Saladin grows horns, Gibreel a halo. From this fantastic premise Rushdie spins a huge collection of loosely related subplots that combine mythology, folklore, and TV trivia in a tour de force of magic realism that investigates the postmodern immigrant experience. (Why does an Indian expatriate feel homesick watching reruns of Dallas ?) Like Rushdie's award-winning novel Midnight's Children ( LJ 2/15/81), this invites comparison with the miracle-laden narratives of Gabriel Garcia Marquez. Highly recommended. Edward B. St. John, Loyola Law Sch. Lib., Los Angeles
Review
"A masterpiece."--The Sunday Times
"A staggering achievement, brilliantly enjoyable."--Nadine Gordimer
"[A] torrent of endlessly inventive prose, by turns comic and enraged, embracing life in all its contradictions. In this spectacular novel, verbal pyrotechnics barely outshine its psychological truths."--Dan Cryer, Newsday
"Swift's Gulliver's Travels, Voltaire's Candide, Sterne's Tristram Shandy . . . Salman Rushdie, it seems to me, is very much a latter-day member of their company."--The New York Times Book Review
"An exhilarating, populous, loquacious, sometimes hilarious, extraordinary novel. A rollercoaster ride over a vast landscape of the imagination."--Angela Carter, The Guardian
Ingram
Just before dawn one winter's morning, a hijacked jumbo jet blows apart high above the English Channel. Two figures fall to the sea, later washing up, alive, on a beach. It was an ambiguous miracle, for both seem to have acquired curious changes. Both have been chosen as opponents in the eternal wrestling match between Good and Evil.
The most controversial book in ages, this book almost got Salman Rushdie killed. The Iranian Ayatollah put out a fatwa demanding his death. Read why they were so upset.
The Satanic Verses, a must read.
Microsoft Reader
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